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Klara and the Sun: Robotic Faith for an Unbelieving Humanity

In his first novel since winning the Nobel prize of literature, Kazuo Ishiguro explores the world through the lens of an AI droid. The novel retains many of the features that made him famous for previous bestsellers such as concentrating in confined spaces, building up emotional tension, and fragmented story-telling. All of this gains a fresh relevance when applied to the Sci-Fi genre and more specifically to the relationship between humanity and sentient technology. I’ll do my best to keep you from any spoilers as I suspect this will become a motion picture in the near future. Suffice it to say that Klara and the Sun is a compelling statement for robotic faith. How? Read on.

Introducing the Artificial Friend

Structured into 6 long sections, the book starts by introducing us to Klara. She is an AF (Artificial Friend), a humanoid equipped with Artificial Intelligence and designed commercially to be a human companion. At least, this is what we can deduce from the first pages as no clear explanation is given. In fact, this is a key trait in the story: we learn about the world along with Klara. She is the one and only narrator throughout the novel.

Klara is shaped like a short woman with brown hair. The story starts in the store where she is on display for sale. There she interacts with customers, other AFs, and “Manager”, the human responsible for the store. All humans are referred to by their capitalized job or function. Otherwise, they are classified by their appearance or something peculiar to them.

The first 70 pages occur inside the store where she is on display. We learn about her personality, the fact that she is very observant, and what peer AFs think of her. At times, she is placed near the front window of the store. That is when we get a glimpse of the outside world. This is probably where Ishiguro’s brilliance shines through as he carefully creates a worldview so unique, compelling, humane but in many ways also true to a robotic personality. The reader slowly grows fond of her as she immerses us in her whimsical perspective of the outside world. To her, a busy city street is a rich mixture of sights with details we most often take for granted.

We also get to learn how Klara processes emotions and even has a will of her own. At times she mentions feeling fear. She is also very sensitive to conflict, trying to avoid it at all costs. With that said, she is no push over. Once she sabotages a customer attempt to buy her because she had committed herself to another prospect. She also seems to stand out compared to the other AFs instilling both contempt and admiration from them.

The World Through Klara’s Eyes

She is sensitive, captivating and always curious. Her observations are unique and honest. She brings together an innocence of a child with the mathematical ability of a scientist. This often leads to some quirky observations as she watches the world unfold in front of her. In one instance, she describes a woman as “food-blender-shaped.”

Klara also has an acute ability to detect complex emotions in faces. In this way, she is able to peer through the crevices of the body and see the soul. In one instance, she spots how a child is both smiling at her AF while her eyes portray anger. When observing a fight, she could see the intensity of anger in the men’s faces describing them as horrid shapes as if they were no longer human. When seeing a couple embrace, she captures both the joy and the pain of that moment and struggles to understand how it could be so.

This uncanny ability to read human emotion becomes crucial when Klara settles in her permanent home. Being a quiet observer, she is able understand the subtle unspoken dynamics that happen in family relationships. In some instances, she could see the love between mother and daughter even as they argued vehemently. She could see through the housekeeper’s hostility towards her not as a threat but as concern. In this way, her view of humans tended err on the side of charity rather than malice.

Though being a keen human observer, it is her relationship with the sun that drives the narrative forward. From the first pages, Klara notices the presence of sun rays in most situations. She will usually start her description of an image by emphasizing how the sun rays were entering a room. We quickly learned that the sun is her main source of energy and nourishment. Hence it is not surprising that its looms so large in her worldview.

Yet, Ishiguro’s takes this relationship further. Similar to ancient humans, Klara develops a religious-like devotion to the sun. The star is not only her source of nourishment but becomes a source of meaning and a god-like figure that she looks to when in fear or in doubt.

That is when the novel gets theologically interesting.

Robotic Faith and Hope

As the title suggests, the sun plays a central role in Klara’s universe. This is true not only physiologically as she runs on solar energy, but also a spiritual role. This nods towards a religious relationship that starts through observation. Already understanding the power of the sun to give her energy, she witnesses how the sun restores a beggar and his dog back to health. Witnessing this event become Klara’s epiphany of the healing powers of the sun. She holds that memory dear and it becomes an anchor of hope for her later in the book when she realizes that her owner is seriously ill.

Klara develops a deep devotion toward the sun and like the ancients, she starts praying to it. The narrative moves forward when Klara experiences theophanies worthy of human awe. Her pure faith is so compelling that the reader cannot help but hope along with her that what she believes is true. In this way, Klara points us back to the numinous.

Her innocent and captivating faith has an impact in the human characters of the novel. For some reason, they start hoping for the best even as there is no reason to do so. In spite of overwhelming odds, they start seeing a light at the end of the tunnel. Some of them willingly participate, in this case the men in the novel, in her religious rites without understanding the rationale behind her actions. Yet, unlike human believers who often like to proselytize, she keeps her faith secret from all. In fact, secrecy is part of her religious relationship with the sun. In this way, she invites humans to transcend their reason and step into a child-like faith.

This reminds me of a previous blog where I explore this idea of pure faith and robots . But I digress.

Conclusion

I hope the first part of this review sparks your interest in reading this novel. It beautifully explores how AI can help us find faith again. Certainly, we are still decades away from the kind of AI that Ishiguro’s portrays in this book. Yet, like most works of Science Fiction, they help us extrapolate present directions so we can reflect on our future possibilities.

Contrasting to the dominant narrative of “robot trying to kill us”, the author opts for one that highlights the possibility that they can reflect the best in us. As they do so, they can change us into better human beings rather than allowing us to devolve into our worse vices. Consequently, Ishiguro gives us a vivid picture of how technology can work towards human flourishing.

In the next blog, I will explore the human world in which Klara lives. There are some interesting warnings and rich reflection in the dystopian situation described in the book. While our exposure to it is limited, maybe this is one part I wish the author had expanded a bit more, we do get enough ponder about the impact of emerging technologies in our society. This is especially salient for a digital native generation who is learning to send tweets before they give their first kiss.

Cielo: Learning to Look up to the Sky Again

https://www.youtube.com/watch?v=3962T4ZZyUI

Sitting on a long flight from Atlanta to San Francisco and after exhausting my reading options, I browsed the screen for a movie. This was a 4.5 hours flight and the range of choices was wide. Eventually I settled on a 80 minute documentary Cielo about the sky in the Atacama desert in Chile. The image below and the premise of being a “love poem” to the sky intrigued me enough to pick it among a myriad of options. I was ready for some calm contemplation in the beginning of what I expected to be an intense work week in San Francisco. The film turned out to be cinematographic feast for the eye. Ironically, as I traversed the sky, I was also learning to marvel at it from a different vantage point.

Desert-Sky Connection

I have had a long lasting fascination for deserts. Ever since my first visit to California in 2008, I have been drawn to these arid landscapes. There is something inviting in their barren and rugged terrain. Almost like an invitation to search for its hidden beauty not as easily accessible as in places like the beach or a forest. It is also an invitation to interiority, hence why spiritual seekers for ages have found wisdom and meaning in these desolate places.

Even so, my first question when the film started was “why a film about the sky in the desert?” We often associate desert with desolate, hot, lifeless places. While this is true, deserts also have an abundance of clear skies and dry air making it greatly suitable for observatories. Furthermore, because deserts tend to repel rather than attract human settlements, this means less artificial light or radio interference to impair night sky viewing.

This desert, more specifically, had an even more direct connection to the sky. It turns out that that the Atacama desert is now being used to research how life could happen in Mars. Some of its dry areas look other-worldly, a remnant from another planet. Whether throught its sky or through its soil, the Atacama opens a gateway other worlds.

With all its beauty, the desert was only a supporting actor on the film. The main character was the sky. The documentary illustrated this well through sped-up views of the sky where you could see it move slowly. The overall visual effect was mesmerizing. It was both soothing and reassuring, putting me at ease against any flight jitter. The documentary would be incomplete without letting the viewer see the sky from the desert. While only a representation of the real experience, it was enough to express its beauty.

Diverse Points of Views

The film did a good job in showcasing a wide-range of perspectives on the sky as they are experienced by those who live in the Atacama. In one of the scenes, they interview a couple of algae collectors who offered a pristine view of the beauty of sky. On another part, Jorge Rojas a young algae collector told personal stories of supernatural apparitions in the desert at night. These views were contrasted by those of the Astrophysicists that work in the area. Nestor Espinoza, a planet hunter, shared on camera a song he had written inspired by his countless hours in the observatory.

In one of the most striking scenes of documentary, Roberto Garcia, a native storyteller dances in the desert as the sunsets expressing his people’s long-lasting relationship with the desert and its glorious sky. Later you see him telling ancient stories to a group of children, passing on to the next generation the wisdom of those who came before him.

The overall message is how the desert sky becomes an invitation to all, from the scientist to the day laborer. Whether it is dancing or analyzing a screen of the computer, the sky is an inexhaustible source of wonder, mysterious and awe-inspiring, regardless of personal background. It also reveals the myriad ways to respond to the sky’s invitation. Whether it is through careful painstaking analysis, artistic forms like dance or music or even as a source for meaning. These are just a few human ways to respond to the allure of the stars.

Undeniable Spiritual Connection

While the film featured native spirituality, one of the most poignant statements came from one of the Scientists. Astrophysicist Mercedes Lopez-Morales, reflected upon her experience working in the observatory and spending hours watching the sky. As she is re-telling her musings, she stops to express the sense of human frailty in a vast and old universe. In a age where we are so obsessed with ourselves, it is refreshing to be reminded of our smallness in contrast to deep space.

Beyond that, listening to Morales’ musings, I reflected on technology. While it is true that the Atacama is place of raw beauty away from civilization, it was interesting how technology could also be an ally in uncovering spiritual meaning. If it wasn’t for the advanced instruments the astrophysicists has at her disposal, she may not have arrived at those conclusions. The issue is not a nature versus technology conundrum but how to bring them together with a receptive perspective.

It reminds me of the Biblical saying of “those who have eyes to see let them see.” A receptive perspective is all it takes to find spiritual connection in God saturated world. A spiritual connection is available to all regardless of educational or cultural background and even religious belief.

An Invitation to Look up

Can we learn to look up or are destined to look down? My own journey recently has taken a surprising turn. While reflecting on theology, technology and humanity, I am finding myself more drawn towards space. It is not an explicit association at first but the more I think about, the more it makes sense. The movement goes from distraction to self-awareness, then from self-awareness to exteriority. In a noisy word, the first movement is when we take time to be quiet, put down our screens and move inwardly. There we are forced to face our fears, questions, doubts and anxieties.

Thankfully, the journey does not ends there. If all I did was learning to become more self-aware, this would be a gigantic exercise in self-centeredness. We would become an amalgamation of atomic beings too occupied with ourselves to care about what or who is around us. That is when the journey needs to lead to exteriority, to a place outside ourselves. This outward movement unveils our connection to other humans, to nature and eventually to the universe.

Christian theology should helps us re-connect with the sky again. In my native tongue of Portuguese, there is no difference between the words “sky” and “heaven.” Maybe there is profound a connection there in this word association. The notion of a supernatural heaven separate from the physical outer space has been overstated. Maybe instead of closing our eyes to pray, we should learn to pray with our eyes wide-open and our heads turned up to the sky.

Let sky be the catalyst that leads us to fall in love with this world again.

AI Evolution: How Wakanda’s Golden City Inspires Innovation

Have you ever imagined a place where technology and nature work in harmony for the flourishing of life? Somebody did. In a blog last year, I explored how the Black Panther represented a Decolonial African futurist vision. Today, inspired on a recent podcast I heard, I want to write about how this vision worked itself out in Wakanda’s Golden City.

Before, diving into Wakanda, let me first put a plug for the Technopolis Podcast from Citylab. It is on my short list of subscribed podcasts for a reason. It explores the intersection of technology in city planning in a thought provoking way. I recommend it to anyone looking for some meaty conversations on the topic.

Designing a Futuristic City

The Podcast recently had Hannah Beachler as a guest to discuss the work she did as a the production designer for the Black Panther movie. More specifically, she was there to discuss the meticulous work that went into designing, building and filming the Golden City – Wakanda’s capital. Just so you have an idea, Hanna put together a 500 page book for the production plan! As she described to the hosts, Hanna put in many hours studying, researching and speaking to experts in urban planning and sustainability.

Though this was mostly a background to the feature film, the production team asked serious design questions such as “How do people move in the city?”; “How can it incorporate technology while also respecting nature?”; “How can it portray the best of African culture from the present?” These poignant inquiries guided the creative process that led to a visual feast for the movie watcher.

The author sought inspiration from architecture, culture and futuristic thinking. Part of the challenge was creating a futuristic vision that happens in the present day. That is, the innovations showcased had to be recognizable and believable in what is available to us today since the story takes place in the present.

For example, one of the discussions were around having self-driving cars. In that debate, the importance of the bus driver in both African and African-American culture won out over techno-centric futuristic view. This kind of design thinking permeated throughout. Instead of flyinng cars, the Golden city had buses and trains. Instead of concrete jungle, the city had dirt roads with vegetation.

The vision was to portray technology not as an end in itself but as a complement to nature in service of people. Instead of destroy and replace mentality that often dominates city planning, the designer opted for how can existing structures evolve. Such direction balanced reverence for nature and tradition while also fostering ground-breaking innovations. For example, one of the sidewalks in the city harnessed foot traffic to power buildings. I would love to have one of those in my neighborhood!

From Creative Destruction to Evolution

The idea of evolving rather than replacing was a key insight from the conversation, especially as it relates to technology. One of the downsides of current technological innovation is its tendency to impose pre-conceived conditions for its flourishing. This is not limited to buildings but manifests itself especially in the many devices that currently proliferate globally.

For example, most electronics are built to be used in climatized rooms. Only now, with the emergence of smart phones and light laptops, this paradigm started to break. I rarely thought about this until I visited Brazil in May. Unlike here where all buildings are closed off, climatized enclosures, buildings in Brazil often lack AC or heat. Instead they keep its windows open 24/7. Hence, when I went to visit the IT team of the town’s university, I noticed they had to be enclosed in a special room with no windows that had AC running around the clock. In order to accommodate computers need for refrigeration, existing structures had to be completely retrofitted greatly increasing the cost and accessibility of computers in the town.

The idea of a technology that evolves challenges this pre-conceived notion. It starts by looking at what is currently available and then seeks to improve it for the flourishing of life. While respecting the environment, it also rejects luddite notions that all technology is destructive to nature. Instead it believes that technology can emerge from nature.

The picture that encapsulates this well is the idea of hover buses on top of dirt roads as portrayed in the golden city. You have a high-tech form of mobility moving across natural paths that can absorb water, grow beautiful vegetation while still serving as roads. This is a great example for a vision of life-affirming, environmentally conscious and cultural sensitive technology. A futuristic vision we can all adopt for our time.

Lessons from Wakanda for AI

As I reflect on this podcast, I consider ways in which AI can enable such evolution mentality when building innovation. One of the greatest strengths of AI system is its ability to learn from data. As our capability to capture, aggregate and process data improves with the advent of IOT (Internet of Things), AI systems can be a key tool in the planning for the future of cities, communities and even whole regions.

Yet, the idea that AI systems as a silver bullet is rather false. That is, simply learning from data is not enough. For an evolution vision to take hold, what you need are visionary humans who can point these AI systems towards new paradigms. They need to guide the process of data collection, processing and learning. They should also steward well the optimization functions towards life-flourishing goals.

Hence, the main lesson Wakanda offers is not technological per say but cultural. Black Panther illustrates the power of culturally-informed futuristic dreaming. When a historically ostracized people group decides to dream an alternative future without forgetting its past, a beautiful result can emerge. In being faithful to their own culture, they offer a lesson to all cultures. The main point is not the technology but whose vision it reflects.

This only reinforces the need for further democratizing technical knowledge. Developing technology cannot remain the job of a select few but belongs to all humanity. As we work to remove the barriers of entry we also foster innovation by bringing new voices to the table. May the Golden City be the first of many examples of a life-affirming, culturally sensitive, environmentally enhancing technological dream.

Abraham and the Sacrifice of Isaac: How Travelers Re-visits the Biblical Story Through AI Theology

Abraham took the wood of the burnt offering and laid it on his son Isaac, and he himself carried the fire and the knife. So the two of them walked on together. Isaac said to his father Abraham, “Father!” And he said, “Here I am, my son.” He said, “The fire and the wood are here, but where is the lamb for a burnt offering?” Abraham said, “God himself will provide the lamb for a burnt offering, my son.” So the two of them walked on together. Gen 22: 6-8.

One of the most powerful narratives of the Hebrew Bible is the story of Abraham’s near-sacrifice of his son Isaac. The book of Genesis tells us that God, after promising and delivering a son to Abraham at old age, one day asked him to sacrifice him as an offer back to God. The absurdity of the request is matched by Abraham’s unquestioning obedience.

As he is taking Isaac to the place of sacrifice, the young boy asks where was the animal to be sacrificed. In a prophetic statement, the father of the Hebrew faith simply answered: “God will provide.” The agony and suspense continues as Abraham ties his sleeping son and raises the knife to end the young boy’s life. That is when God intervenes, relieving Abraham from the unbearable task of killing his own son. It was a gruesome test, but Abraham passed. Thinking of my 16 month-old boy, I cannot imagine ever coming this close.

Episode 3 of the third season of Travelers tells a story with too many parallels to the Old Testament story to ignore. For those not familiar with the show, let me give you a quick overview of its plot. Travelers are people from the a distant apocalyptic future whose consciousness travel to the present and take on bodies of those who are about to die. They work in teams to complete missions that are meant to change the course of history. They take their orders from an advanced AI that has the ability to work out the best alternative in other to improve the future. They refer to it simply as the Director.

In episode three, Mack (Erick McCormack) the team leader, tries to re-trace their last mission. Waking up with a gap in his memory, he suspects that his team altered his memory for some unknown reason. The episode unfolds as Mack pieces together the events from the previous day.

Misguided Good Deeds Lead to Unintended Consequences

In season one, we met an adopted boy called Alecsander. As the team is executing their mission, the historian (the team member who knows the future), throws a curve ball by sending them to save this little boy. He knew that the boy was in an abusive situation and therefore creates the intervention to save him. Seems like a noble action except that this was not in the Director’s plan. Travelers were trained to never deviate from the plan. Therefore, even though they are able to rescue the boy, the implications of this deviation are unknown.

Fast forward to episode three of season three, we eventually find out the team’s mission for the previous day. The Director, knowing that Alecsander was destined to become a psychopath, task the team to eliminate him. A reckless good deed, operating outside the director’s plan had created bigger problems for the future. It was time to course-correct.

Mack, the team leader, draws the responsibility to himself. They pick up the boy in his current foster home and their fears are confirmed. The boy was growing recluse and disturbingly violent with animals – early signs of a troubled adulthood to come.

Mack takes the boy to a deserted woods with the intention of killing him. . While walking in the woods, they find a struggling coyote who is facing a painful end of life. Mack ends his misery with a shot.

Next, they share a meal around the fire, cooking a rabbit the boy had previously caught. There, they have a heart-to-heart conversation where Mack demonstrates to the boy that he is seen, known and understood. Mack becomes the father that Alecsander never had. All of this only heightens the tension as these tender moments contrast with Mack’s dreadful mission. Just as Abraham, Mack agonizes over his assignment while also showing love to the troubled boy.

As the climactic scene begins, they dig a hole to bury the dead coyote. The altar is ready for the sacrifice. Once they place the dead animal in the designated place, Aleksander asks to say a prayer. As the boy is praying in memory of the dead animal, Mack steps back reluctantly. He pulls out his gun as he see the designated time of boy’s death approaches. He points the gun and prepares to pull the trigger. At that moment, just like Yahweh in Genesis, the director intervenes. Instead of an angel, the AI speaks through the boy : “mission abort.” Just like Isaac, the boy is spared.

Later in the episode, Mack’s teammates inform him that the director had a change of plans. Apparently, Mack’s heart-to-heart conversation with the boy changed his future. The assurance of love from a father figure was enough to halt a future of serial murders.

New Avenues of Meaning

There is so much to unpack in this episode that I can’t hardly do justice in a few paragraphs. As stated above, the episode draws some clear parallels with the biblical story but does not re-tell it outright. I honestly even wonder if the writers had the biblical story in mind when formulating the episode. Yet, using the Biblical story as a backdrop allows us to reflect deeper into the many themes addressed here.

One underlying theme throughout the show is the conflict between the AI’s plan and human action. Often times, travelers struggle to follow through with the mission as conditions on the ground change. At its core, it explores the philosophical debate between free-will and determinism.

Classical theism resolves this tension on the side of determinism, often referred to as “God’s will.” In its extreme forms, this thinking paints the picture of a detached God whose plans and will cannot be altered. Hebrew Scripture does not always support this script as it contains some examples where Yahweh changed his mind. Yet, this idea of God’s immutability made its way into Western Christian thought early on and has persisted to our time. For many, God is the absolute ruler that controls every aspect of the universe while also demanding blind loyalty from humans.

For the most part, the same is true in the relationship between the travelers and the Director. Mack, especially, is often the one who claims and demands unquestioning loyalty to the Director’s mission. This episode illustrates this well as Mack showed complete willingness to carry out the unthinkable mission of killing the young boy.

Yet, the emphasis of the episode is not on Mack’s loyalty but in how by showing love to the boy, he altered his future. Mack’s actions changed the director’s plans. It suggests that human action can bending the will of a greater being (or technology in this case).

Sacrificial love can alter divine plans.

Hence, this well-written Science-Fiction series challenges us to re-think our relationship with the divine. Is it possible to move the heart of God or is our job simply to accept his will? Do humans have real power to shape their future or is it all pre-determined by a higher power?

What do you think?

What Does Beyonce, AI and Democracy All Have in Common?

Answer: they are all mentioned in the Superposition Magazine.

As some of you may not know, besides keeping this blog I am also writing for a newly launched SuperPosition magazine. I am excited to be part of this new endeavor that aims to broaden the conversation on faith and technology. Superposition is the world’s first theologically informed digital tech magazine. We create new content and aggregate content from around the web to create reality changing observations. Beyond Technology, the magazine also explores society, culture, the environment and many other topics.

Here is a short list of what you can find there:

Is AI a threat to Democracy? This article explores author Yuval Harari’s current article explaining why he believes so.

Your Ancestor’s may define you more than you think. Genes may be passing on more than hair color, height and nose size. Could it also be transmitting memories? The research on this topic could have ground-breaking implications in how we understand humanity.

Robots Must Learn to Think Like Little Children. Here we learn about Toco, a robot built to learn as a child.

God uses Technology to Redeem the World. In this five-part article, Rev Chris Benek shows us how the God who created our natural world can also use technology to fulfill His plans.

How Alexa and Siri May Be Making You A Bigger Jerk. Did you ask your digital assistant nicely for directions today? How about saying “please” and “thank you”? Some thoughts to ponder here.

Beyoncé Uses AI to Teach Compassionate Eating. I didn’t think I would see the words “Beyonce” and “AI” in the same sentence but here it is. The singer is using machine learning to help fans come up with Vegan diet plan.

These are just a few examples of the content being created there. Please be sure so sign up and comment on the site. Let’s get the word out about this new tool that help us make sense of this ever-changing world.

Travelers Theology: Wrestling With a Powerful AI God

Recently, I was browsing through new shows on Netlflix when I stumbled upon Travelers. The premise seemed interesting enough to to make me want to check it out. From the very first episode, I was hooked. Soon after, my wife watched the first episode and it became a family affair. Starring Erick McCormack (Will & Grace) and directed by Brad Wright (Stargate), Travelers is a show about people from a distant future that come to the 21st century in an effort to change history to re-write their present.

You may wonder “Nothing new here, many shows and movies have explored this premise.” That is true. What makes Travelers unique is how they arrive in the present and how they explore emerging technologies in a thoughtful and plausible way. They travel back to time by sending the consciousness of people from the future into the bodies of those who are about to die in the 21st century. Having the benefit of knowing history allows them to pintpoint the exact time for arrival which makes for some pretty interesting situations (a wife about to be killed by her husband’s abuse, a mentally-challenged woman about to be attacked by robbers and a heroin-addict about to be overdose). The travelers then continue the life of their “host” making those around belief that they are still the same person that died.

Spoiler alert – the next paragraphs will openly discuss plots from the show

By the end of first season, we learn about the pivotal role AI plays in the plot. Throughout the first episodes, the travelers keep talking about “the director” who has a “grand plan.” That becomes their explanation for carrying out missions when they cannot understand why they are doing what they are told. They also follow 6 rules to ensure their behavior limits their interference in the past. At first, the viewers think they are talking about a person who is leading the effort. In the last episode of season 1, we learn that “the Director” is actually a Super Computer (a Quantum Frame) who is able to consider millions of possible scenarios and therefore direct travelers to their assign missions. We are really dealing with AI God, who is quasi-omniscient and demands human’s trust and devotion.

Exploring Rich Religious Imagery

While the show explores religious imagery throughout, this aspect comes to the forefront in episode 8 of Season two. In it, one of the travelers (aptly and ironically named Grace), is to be judged by three judges (programmers). The setting for that: a church. As they gathered in the sanctuary, the “Trinity” of programmers initiates proceedings under the watchful eye of the Director (through a tiny camera that records the event). Grace, an obnoxious traveler who is devoid of social skills, is charged with the crime of treason for taking action on her own initiative in direct challenge to the grand plan.

As the judgement unfolds, scenes that juxtapose the programmer judges with an empty cross in the background reinforce the explicit religious connection the writers are making here. Throughout the hearings, Grace insists that her actions, even if unorthodox, were only to save the Director. Yet, she is surprised to learn that the Director itself had summoned her judgment. She seems disappointed at that, wondering how would the Director judge her if it knew her intentions. This is an interesting assertion because it implies that the director actually knew her thoughts, raising it to the level of a god.

Grace is found guilty by the programmer trinity and is handed over to the director for her sentencing. They speculate that she will be overwritten. That is the worse punishment, which means she would not only die in the 21st century but her consciousness would cease to exist. It is the theological equivalent to eternal death or annihilation.

The next scene is probably one of the most profound and provocative of the whole show so far. Grace goes to a small room where she faces three large screens from where the Director will speak directly to her. This is the first time in the show where the audience gets to see the Director in action by itself rather than through messengers.

While she is no longer in the sanctuary, the room still has an empty cross in the background and evokes the idea of a confessional booth. At that point, I was really curious to know how they would portray the director. What kind of images would she see? Would it be of the machine itself or something else?

No machine but human faces show up in the screen. They are all older and seem to be in some type of life support. At times, they seem to represent Grace’s parents but that was not clear. In this climatic scene, Grace finds forgiveness from the Director and is not overwritten. The machine communicate divine qualities through human faces. Grace finds peace and absolution and re-affirms her trust and devotion to the Director. In short, she experiences a theophany: a watershed personal moment that reveals a new facet of the divine being to a human receiver.

Photo by Bruno van der Kraan on Unsplash

A New Perspective on Omniscience

What to make of this? I must say that when I first learned of Levandowski’s efforts to create an AI religion, I discounted as sensational journalism. Surely there is a fringe of techno-enthusiasts that would follow that path. Yet, I could no see how such idea could be appealing to a wider audience. Seeing Traveler’s religious treatment of AI have made me re-think. Maybe an AI religion is not as far-fetched as I originally thought. An advanced AI bolstered by powerful hardware and connected to a vast digital history of information could indeed do a great job in optimizing timelines. That is, it could consider a vast amount of scenarios in ways that are unfathomable to the human mind. This could make it quasi-omniscient in a way that could elicit a god-like trust from humans. One could say such arrangement would be the triumph of secular science replacing a mythical god with a technological one.

From a Judeo-Christian perspective, an AI god would be the epitome of human idolatry. People worshiping idols except that for calf images are replaced by silicon superstructures that actually can hear, speak and think faster than any human. This would be an example of idols in steroids. As a firm believer in the benefits of AI, I do worry about human inclination towards idolizing tools. As a Christian, I owe my allegiance to a transcendent God. AI can only be formidable tool but nothing more.

Yet, the prospect of an AI god is still interesting in that it may helps us understand a transcendent God better. How so, you may ask? Religion is often defined by powerful metaphors. For some monotheistic faiths, God is a father. Such metaphor has obvious benefits as it elicits image of authority, provision and comfort. I wonder if using a powerful AI as a metaphor could reveal part of divinity that we have not explored before.

In a previous blog, I suggested that AI offered a paradigm of partnership for religion as opposed to blind obedience. Reflecting on Travelers’ portrayal of an AI God sheds light into the aspect of God’s omniscience and wisdom. A timeless being with infinite “processing capacity” could very well consider all the possible alternatives and come up with the best one that leads to the best outcome (to whatever that best is defined). In computer science terms, the best is defined by an objective function – basically the goal you are trying to achieve.

How is that different from previous views of omniscience and wisdom? In the past, omniscience was seen as the idea that God knows what decision we will make and therefor ultimately knows the future. In some traditions, this idea was amplified into the concept of Predestination. The problem with such approach is that it limits God to one outcome and makes humans “automatons.” In other words, there is really no choice or risk – everything is pre-determined from the beginning. I suspect this view of God was heavily based on our own human mind that cannot consider more than 1 scenario for the future at a time.

What if God’s omniscience was more like the Super AI knowledge that is able to simultaneously consider multiple outcomes and then guide towards the better one or correct it when that path is undermined? Wouldn’t that be a fuller view of omniscience? This scenario allows for human choice while still attributing superior knowledge and control to God. Furthermore, this metaphor reveals a “smarter” God that is not bound by the one-track linear thinking of humans. Humanity realizes that their choices matter and can create alternative futures. Even so, they still have the comfort of a God who can see through all this, and guide it from a perspective that can consider manifold outcomes.

Such God would certainly be worthy of human obedience, awe and praise.

“Do You Trust This Computer?”: A Wake Up Call on Superintelligence

It is not everyday that Elon Musk endorses and partially funds a documentary. Needless to say, when that happens, anyone tracking the tech industry takes notice. In “Do you Trust Your Computer?“, Chris Paine brings together experts, journalists and CEOs from the tech industry and academia, to make a compelling point about the dangers of Superintelligence for humanity’s future. In this blog, I will review the documentary and offer some thoughts on how we respond to the issues raised by it.

In an age of misguided attention, I welcome any effort to raise awareness of the social impacts of AI. While AI has gained notoriety recently, there has been little thoughtful discussion of its impacts. I believe this documentary does exactly that and for that reason alone, I encourage everyone to watch it.

Surprisingly, the documentary did not uncover any new information. Most of the examples cited have been mentioned in other media discussing AI. The documentary contributes to the discussion not because of its content per say but because how it frames the issue of Superintelligence. Many of us have heard of singularity, the rise of killer AI, the death of privacy through Big Data and the dangers of automated weapons. Chris Paine’s genius was to bring those issues together to construct a cohesive argument that shows the plausability and the danger of the rise of superintelligence. The viewer comes away with greater clarity and awareness on the subject.

Compelling but Incomplete

In short, Paine argues that if we develop AI without proper safeguards, it could literally destroy us as a species. It wouldn’t do that intentionally but in the way to maximizing its goal. The example he gives is of how we humans have no qualms of removing an ant mound in the way to build a path. Superintelligent entities would look at us with the same regard we look at ants and therefore lack any human-centered ethical norms. Beyond that, he also touched on other topics like: the impending job elimination, Big Data’s impact in our lives and the danger of automated weapons. While the documentary was not overly alarmist it does challenge us to take these matter seriously and encouraging conversation at multiple levels of society.

In spite of its compelling argument, I found the treatment of the topic to be lacking in some aspects. For one, the film could have explored more how AI can lead to human flourishing and economic advancement. While at times it touched on the potential of AI, these bits were overshadowed by the parts that focused on its dangers. I wish they had discussed how, just like previous emerging technologies, AI will not only eliminate jobs but also create new industries and economic ecosystems. Surely its impact is bound to create winners and losers. However, to overlook its potential for job creation does a disservice to the goal of an honest dialogue about our AI future.

Moreover, the rise of artificial Superintelligence, though likely, it far from being a certainty. At one point, one of the experts talked about how we have become numb to the dangers of AI primarily because of all the Hollywood’s exhaustive exploitation of this theme. That was a great point, however, that skepticism may not be completely unfounded. AI hype happened before and so did an AI winter. In the early 60’s, many already predicted a take over of robots as AI technology had just entered the scene. It turned out that technical challenges and hardware limitations slowed AI development enough so that government and business leaders lost interest in it. This was the first AI winter from the mid-70s to the mid-90’s. This historical lesson is worth remembering because AI is not the only emerging technology competing for funding and attention at this moment.

Exposing The Subtle Impact of AI

I certainly hope that leaders in business and politics are heeding to Chris Paine’s warnings. My critique above does not diminish the importance of the threat posed by Superintelligence. However, most of us will not be involved in this decision process. We may be involved in choosing who will be at the table but not at the decision-making process directly. So, while this issue is very important, we as individual citizens will have little agency in setting the direction of Superintelligence development.

With that said, the documentary did a good job in discussing the more subtle impacts of AI in our daily lives. That to me, turned out to be the best contribution to the AI dialogue because it helped expose how many of us are unwilling participants in the process. Because AI lives and dies on data, data collection practices are fairly consequential to the future of its development. China is leaping ahead in the AI race primarily because of its government ability to collect personal data with little to no restrictions. More recently, the Facebook-Cambridge-Analytica scandal exposed how data collection done by large corporations can also be unethical and harmful to our democracy.

Both examples show that centralized data collection efforts are ripe for abuse. The most consequential act we can take in the development of AI is to be more selective on how and to who we give personal data to. Moreover, as consumers and citizens, we must ensure we are sharing in the benefits our data creates. This process of data democratization is the only way to keep effective controls on how data is collected and used. As data collection decentralizes, the risk of an intelligence monopoly decreases and the benefits of AI can be more equitably shared among humanity.

Moreover, it is time we start questioning the imperative of digitization. Should everything be tracked through electronic devices? Some aspects of our analog earth are not meant to be digitized and processed by machines. The challenges is to define these boundaries and ensure they are kept out of reach from intelligent machines. This is an important question to ask as we increasingly use our smart phones to record every aspect of our lives. In this environment, writing a journal by hand, having unrecorded face-to-face conversations and taking a technology sabbatical can all be effective acts of resistance.

Black Panther: A Powerful Postcolonial, African-Futurist Manifesto

Black Panther is more than a movie, it is a manifesto of possibilities and a vivid expression of Postcolonial imagination. Much has been said about the importance of having an African super-hero. I want to discuss why Black Panther matters to all of us, Western white people included. I never thought I would be able to address Postcolonialism, Theology and Technology in one blog. Black Panther allows me to do just that. I encourage everyone to see it and will do my best to keep this piece free of spoilers.

Back in Seminary, I did an independent study on Theology and Postcolonialism (you can check one of my papers from that class here). In the middle of the last century, as most colonies had gained their independence, Majority World scholars realized that political freedom was not enough to undo the shackles of Colonialism. They realized that colonial paradigms still persisted in the very sources of knowledge of Modernity. Therefore, what was needed was a full deconstruction of knowledge as it was handed to them by Euro-centric scholars. Inspired by Foucault’s idea that speech is power, this movement started first in Literature and then moved to the Social Sciences. This project of deconstruction continues till this day. In my view, Black Panther represents the next step in this progression. If the first Postcolonial authors were there to identify and de-construct Western biases embedded in literature, the writers of Black Panther start the re-construction in the creation of a Postcolonial imagination.

How is that so? First, it is important to say what Black Panther is not. It is not a depiction of African suffering under the White oppressor like 12 Years a Slave. As necessary as this type of movie is, it is still enclosed in a Colonial paradigm that albeit critically still puts the White man at the center of the story. It is also not a depiction of African harsh social realities like Moonlight and City of God. While such narratives are also important and represent progress from the previous category (here minorities are at the center of the story), they lack a prophetic imagination of how things could change.

Black Panther represents a new category of its own. It paints an alternative hopeful image, grounded in the Sci-Fi genre, of what these societies could be if they were to realize their God-given potential independent of Western Colonialism. What impress me most is that the writers went to great lengths to imagine a future that was authentically African even as it become technologically advanced. Therefore, this African Futurism not only portrays a future of what it could be for Majority World but also challenges our current Western ideals of technology. It portrays a technology that is not there to replace but to merge with nature. This sustainable picture is maybe the best gift of African Futurism to the world.

Moreover, I thought that it was important that not only the hero but also the anti-hero was of African descent. Here there is some controversy and push back as Christopher Lebron’s essay brings up. Fair enough, yet a movie that depicted an African hero against a White villain would have missed the opportunity to re-imagine a postcolonial future by re-enforcing the colonial past. I cannot speak for those of African descent. Yet, as one born in the Majority World and inevitably linked to its story of struggle, I can say that true postcolonial imagination happens when we are able to see that our main problems are the ones coming from within. This is very difficult task given the burden of oppressive structures that persist even to the present day. Yet, it is only when the problem become our own, and not the Colonizer’s, that we can recover the power taken from us.

It is encouraging to see how this movie has become a catalyst for the African diaspora all over the world to re-think and re-imagine their identify. It is not just a fantasy that imagines a perfect world without problems but one in which good redeems a hopeless present. Here is where Theology comes in. Wakanda is a great picture of what the Jewish writers envisioned as the Kingdom of God coming to Earth. It does not happen through power or violence but through invitation and outreach. This is the type of Christ-like upside-down power that the white Evangelical church in this country has forgotten. When we align ourselves with those who protect guns and against refugees we have failed to understand the very heart of the gospel. I could say much more but for now, let those who have ears hear.

Black Panther is an invitation for new Postcolonial imaginations to emerge. I call on Latin Americans, Asians and Pacific Islanders to give us their version of a hopeful future. Our world will be richer for it. Let the forgotten find their voice, not only of pain but also of creativity, joy and transformation.

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A year after I posted this, I wrote a blog going more into the actual architecture of Wakanda. To read that blog, click here.

Altered Carbon and The Eternal Soul: Sci-Fi Gets Religion

In the hit Netflix show Altered Carbon, the people become immortal by making their consciousness portable. They perpetuate their existence by moving into a new body (or “sleeve”) when the old one is no longer useful. Their consciousness live in a device that is inserted into the back of their neck. As long as the device remains intact, the person lives on independent of the body. Yet, Science fiction is not the first genre to discuss our individual essence as something that transcends the body. Religious thought has been reflecting on this for Millennia. Can anything be learned in a dialogue between a religious (in this case Christian) view of the soul and consciousness? In this blog, I want to explore how the Christian vision of the soul can inform the Science-Fiction view of consciousness and vice-versa.

Christian thought has a similar idea about personhood. Instead of a device, it believes the person has a soul, an internal invisible energy that contains the individual’s essence. Once the body dies, the soul lives on eternally in a place of torment or bliss.[note] Early Christians did not share this notion of a soul independent of the body but instead emphasize a full-body resurrection. It was only later, as Christianity Westernized that we got this conception of body-less souls going to live with God eternally. [/note] In that way, Christian thought connects this idea that we transcend our bodies with a notion of justice. The destiny of a soul is tied to how the body lived in its time on Earth. Interestingly enough, in the Altered Carbon series, the Christians (Neo-Catholics) are the main group opposing the idea of transferring the consciousness to different bodies. They believe such practice would condemn one to punishment in the afterlife (if that individual ever reaches it, I guess).

While Religion and Science may have similar ideas of our personhood, the first defines that personhood in a context of an ideal of justice, while the second wants to leave it alone. For the scientist, one’s consciousness destiny is independent of ideas of justice, but instead it just is. Yet, to many humans being with an insatiable search for meaning, such explanation seems insufficient even if descriptively accurate. There has to be more, even if we cannot know for sure what that “more” is. That is where Science-Fiction comes in. If Science is indifferent to the human longings, Sci-Fi takes scientific ideas, speculate on its assumptions and possibilities and places them in a context of human stories. Sci-Fi brings “objective” science into the “subjective” world of human story.

Yet, Sci-Fi, while pursuing similar ends as religion has also a different way of pursuing it. Religions looks at the past to bring lessons to the present. It aims to expose the depravity of the human heart through history in a hope that present humanity can avoid or rectify those mistakes. Sci-Fi reverses this order, teaching moralistic lessons from the future. If Christianity says “look what your ancestors did wrong – don’t do that”, Sci-fi says “look at the future world your children will live in – change now.”

To be fair, Christian tradition has a similar genre to Sci-fi in the prophetic and apocalyptic writings. In them, writers paint a vision, often full of symbolism, to tell people on the present of a future doom. Yet, if in Sci-fi the focus is in how humanity can screw up their future, in the Christian tradition it is God who brings destruction because of human depravity. The aim is the same – to force us to re-think about how we live our lives in the present.

While some Sci-Fi literature can imagine a world where our consciousness lives on this earth by jumping from body to body, it can also envision something akin to a blissful heaven. This is present in the idea of uploading one’s consciousness to the cloud. No, this is not the cloud of angels but the cloud of 1s and 0s of the Internet. A National Geographic Documentary Year Million even explores what would be like for people to abandon their bodies to live in the cloud. What would be like to live a life where individuality disappears and we are absorbed by an universal consciousness? At first glance, this approach to the afterlife has more in common with Buddhism than monotheistic religions like Christianity, Islam and Judaism. The first one sees the unity of all beings as the ultimate goal, while the latter keeps our individuality intact in relationship to a personal God.

Where does this comparison leave us? What I described above demonstrated how the dialogue between Science-Fiction and Christianity can enrich both disciplines. Sci-Fi could benefit from a more defined vision of justice offered by religious imagery while religion (in this case Christian tradition) could take it more seriously the role of human action in the future. Christian tradition does a good job in teasing out personal sins of immorality while not giving enough attention to corporate sins of environmental destruction. Sci-Fi, conversely, does a great job in extrapolating our corporate ills into the future while not being so concerned with personal morality. Furthermore, Sci-Fi rarely gives us a positive view of our present and how that can create a harmonious future. Instead, it is mostly concerned in highlighting what could go wrong. Christian tradition offers a robust view of a ideal future in the book of Revelation where all nations will come together as one. It speaks of a city where God’s (the source of all goodness in religious thought) is present at its very center. In this way, it gives something to look forward to, not just something to look away from.

A full conversation between the two can bring a fuller picture of the challenges ahead while also highlighting the promise of what is possible if we dare to change our ways. I would love to see one day the emergence of a religious sci-fi genre that takes both scientific and religious themes seriously while also captivating our imagination in the process. I am encouraged to see how Altered Carbon hints at this conversation by including a religious element to the story. Yet, much more could be done.

Is anyone doing that already? If so, I would love to hear about it.

Test – new block

Category: Reviews